A Large Part Of My Work Has

Hearing Is A Form Of Touch. You Feel It Through Your Body, And Sometimes It Almost Hits Your Face.

I Didn't Decide To Become A Musician Until The Age Of 15, Which Is Quite Late.

The Thing About Playing Percussion Is That You Can Create All These Emotions That Can Be Sometimes Beautiful, Sometimes Really Ugly, Or Sometimes Sweet, Sometimes As Big As King Kong And So On. And So There Can Be A Real Riot Out There, Or It Can Be So Refined.

I Often Play On The Cello-bass Side Of The Orchestra, Because I Prefer The Deep Sounds. I Can't Hear The Violins Well.

I Walk Into A Kids' Store, And It's Amazing, The Types Of Instruments - Little Squeaky Things, Rattling Things, Spinning Tops.