A Poem Is, So To Speak, A

When You Begin To Read A Poem You Are Entering A Foreign Country Whose Laws And Language And Life Are A Kind Of Translation Of Your Own; But To Accept It Because Its Stews Taste Exactly Like Your Old Mother's Hash, Or To Reject It Because The Owl-headed Goddess Of Wisdom In Its Temple Is Fatter Than The Statue Of Liberty, Is An Equal Mark Of That Want Of Imagination, That Inaccessibility To Experience, Of Which Each Of Us Who Dies A Natural Death Will Die.

Some Of Mr. Gregory's Poems Have Merely Appeared In The New Yorker ; Others Are New Yorker Poems: The Inclusive Topicality, The Informed And Casual Smartness, The Flat Fashionable Irony, Meaningless Because It Proceeds From A Frame Of Reference Whose Amorphous Superiority Is The Most Definite Thing About It They Are The Trademark Not Simply Of A Magazine But Of A Class.

It Is Better To Entertain An Idea Than To Take Home To Live With You For The Rest Of Your Life.

Is An Institution Always A Man's Shadow Shortened In The Sun, The Lowest Common Denominator Of Everybody In It?

A Successful Poem Says What A Poet Wants To Say, And More, With Particular Finality. The Remarks He Makes About His Poems Are Incidental When The Poem Is Good, Or Embarrassing Or Absurd When It Is Bad And He Is Not Permitted To Say How The Good Poem Is Good, And May Never Know How The Bad Poem Is Bad. It Is Better To Write About Other People's Poetry.