A Prototype Is Always More Expensive Than

I Don't Know What Is In Store For The Movie Business Any Better Than Anybody Else Does, But It Does Seem Like My Kind Of Movies Are A Little Trickier Than It Used To Be - Or Maybe A Lot Trickier.

If I Have Ideas, I Want To Put Them In The Movie. It's Not A Minimalist Approach At All But I Feel Like It's For The Audience. It's About Seeing How Much Texture We Can Give It And Seeing How Many Things Are There For People To Latch On To... I Just Want To Do It The Way I Want And I Feel Like It Won't Be Helpful For Me If I Start Worrying About That. I Just Have To Follow My Instincts. Everyone Is Going To Respond Differently To It And Everybody's Right - That's Their Point Of View. That's How The Story Intersects With Their Lives.

I Want To Try Not To Repeat Myself. But Then I Seem To Do It Continuously In My Films. It's Not Something I Make Any Effort To Do. I Just Want To Make Films That Are Personal, But Interesting To An Audience. I Feel I Get Criticized For Style Over Substance, And For Details That Get In The Way Of The Characters. But Every Decision I Make Is How To Bring Those Characters Forward.

When You're Doing A Live-action Movie, You Have Your Day Set Up And You're Going To Do This Shot And This Shot, And Eventually The Sun Is Going To Go Down. It's A Sequential Race To Whatever Is Going To End The Day.

And I Wanted To Do A Movie [moonrise Kingdom] About A Childhood Romance - A Very Powerful Experience Of Childhood Romance. About What It's Like To Just Be Blindsided, When You're In Fifth Grade Or Sixth Grade, By These Kinds Of Feelings. Along The Way, I Sort Of Mixed In Some Interest In "young Adult Fantasy" Writing.