After Looking At Salomaybe, I Don't Know

It Was A Compromise. There Was A Sense That I Could Write My Own Memoirs, And Larry [grobel] Would Help Me Down The Line, Or Maybe Not, Maybe He Was Too Close To Me.

I Was Never Very Happy With Performing; It Didn't Turn Me On Much.

You Don't Get To Know Anybody In A Movie Until After It's Over. You Work Less Together In A Film Than You Do Onstage.

I Personally Think If You're Given Four Months Instead Of Four Weeks On A Play, With The People Who Want To Work That Way, The Play Will Invariably Be Different And Stronger, And Much More Fulfilling And Richer On All Counts. There's No Doubt In My Mind About It.

I Am More Alive In The Theater Than Anywhere Else, But What I Take Into The Theater I Get From The Streets.