All The Great Writers Root Their Characters

We Are Adjusters. We Empathize, We Change Rhythm And Above All We Listen To Our Fellow Actors-if They're Good Actors.

There Was One Titanic Guiding Light On The Film Set, And I Was In The Presence Of A True Mahatma, In The Deepest And Most Profound Sense Of The Word.

I Think That Shakespeare Had His Male Side And His Female Side Extremely Well Developed. And This Was A Great Quality Of The Elizabethan, All-around Renaissance Man. They Were Not Afraid Of Their Male Side And Their Female Side Co-existing. This Somewhere Along The Line Got Lost. And Then It Got Misunderstood.

The Environment Forces You To Be Utterly Dependent Between "action" And "cut" Because The Environment Is Perfect On Your Fellow Actor. So As An Acting Exercise, It's Absolutely Thrilling That The Focus That We Had To Bring To Each Other Echoed In Life, Echoed In Art. And When You Get That Parallel, It's Really Thrilling And It's Full Of Surprises, But It All Has A Logic.

In Cinema, The Leading Player Is The Director.