Art Is Long, And Critics Are The

Robert Frost Says In A Piece Of Homely Doggerel That He Has Hoped Wisdom Could Be Not Only Attic But Laconic, Boeotian Even - "at Least Not Systematic"; But How Systematically Frostian The Worst Of His Later Poems Are! His Good Poems Are The Best Refutation Of, The Most Damning Comment On, His Bad: His Complete Poems Have The Air Of Being Able To Educate Any Faithful Reader Into Tearing Out A Third Of The Pages, Reading A Third, And Practically Wearing Out The Rest.

Both In Verse And In Prose [karl] Shapiro Loves, Partly Out Of Indignation And Partly Out Of Sheer Mischievousness, To Tell The Naked Truths Or Half-truths Or Quarter-truths That Will Make Anybody's Hair Stand On End; He Is Always Crying: "but He Hasn't Any Clothes On!" About An Emperor Who Is Half The Time Surprisingly Well-dressed.

Nowadays When A Poet With One Privately Printed Book Can Have His Next Three Years Taken Care Of By A Guggenheim Fellowship, A Kenyon Review Fellowship, And The Prix De Rome, It Is Hard To Remember What Chances The Poet Took In That Small-town World, How Precariously Hand-to-mouth His Existence Was. And Yet In One Way The Old Days Were Better; [vachel] Lindsay After A While, By Luck And Skill, Got Far More Readers Than Any Poet Could Get Today.

To Americans, English Manners Are Far More Frightening Than None At All.

Habits Are Happiness Of A Sort...