As I Grew Up, One Of My

My Introduction To Photography And A Lot Of How I Developed Aesthetically Was Through '50s And Early-'60s Fashion Magazines Like Harper's Bazaar And Vogue.

The Film [dream Of Life] Is The Way It Is Because It Was The Rhythm Of My Life, And Also Because The Director And The Editor Are Both Gifted And Both Fine Human Beings.

Sometimes You Write Passages That Don't Need To Be Rewritten. Performance Is That For Me. Improvisation, Things That Happen In The Moment, Are Sometimes Wonderful, Or Wonderful As A Moment To Be Shared Between Performer And People, But That's It. There Might Be A Strong Bond Between You And The People, A Transformative Night, But As A Live Record It Might Not Translate.

What Helps Me Is Watching Other People Negotiate Loss. I Think About How We Dropped A Bomb On People In Hiroshima And 150,000 People Were Killed In One Night. Those People Had To Mourn And They Had To Rebuild Their City Right Away.

I'm A Worker. I Do The Work To Communicate, And I Want People To Embrace It, And When They Do I'm Happy.