As Soon As I'm Finished With It,

I've Felt That In The Past, Where I Just Felt Like I Had To Keep Drawing In The Same Way To Maintain This Sameness And Rhythm Throughout An Entire Book, And It Was Not Really Necessary.

There Are Certain Comics That Just Seem Like They Have This Perfect Balance Between Dialogue And Image That I Can't Not Read. I'll Want To Save It For Later, And The Next Thing I Know, I'm Reading It. That's What I'm Kind Of Trying To Do With My Comics.

Something I Always Wanted To Do, To Capture That Later Half Of The '70s. It's Like The Early Half Of The '70s Is Still The '60s, In That There's Still Kind Of A Playfulness And Inventiveness In Terms Of Design And The Things That Were Going On In The Culture. The Second Half, It Got Much More Commodified. It's Possibly The Ugliest Era Of Architecture And Clothes And Design In The Entire 20th Century, From 1975 To '81 Or '82.

I Actually Start Drawing Things. Usually They're Abandoned Before I Commit Too Much Time And Effort.

Alfred Hitchcock Talked About Planning Out His Movies So Meticulously That When He Was Actually Shooting And Editing, It Was The Most Boring Thing In The World. But Drawing Comics Isn't Like Shooting A Movie. You Can Shoot A Movie In A Few Days And Be Done With It, But Drawing A Comic Takes Years And Years... That's The Biggest Part Of Doing Comics: You Have To Create Stuff That Makes You Want To Get Out Of Bed Every Morning And Get To Work.