As Soon As I'm Finished With It,

You Have To Find The Tone Of The Piece And Modulate That. There Are Ways To Indicate That - I Try To Incorporate The Biggest Range I Can Within The Story, Going From Humorous To Serious Without It Being Jarring. That's The Hardest Part, To Keep That Balance. It Requires Being Constantly Aware Of Where You Are In The Story. You Can't Really Do That In A Movie: You Can't Slightly Modulate The Tone By The Way The Character's Eyeballs Look In One Certain Scene.

That's Been My Main Interest For The Last 15 Years, Is To Really Make Sure The Story And The Characters Take Precedence Over Everything Else, And That I Give Them Everything I Can To Make Them Exist As Actual People.

Surely Comics Require More Effort On The Part Of The Reader Than Movies Or Television. I'm Always Learning New Things You Can Do With Comics That Wouldn't Work In Any Other Medium, And Often They Require The Need To Process A Lot Of Dense Information. Of Course, The Trick Is To Make The Complicated Seem Effortless And Spontaneous.

I Must Have Been 3 Years Old Or Less, And I Remember Paging Through These Comics, Trying To Figure Out The Stories. I Couldn't Read The Words, So I Made Up My Own Stories.

Comics Seldom Move Me The Way I Would Be Moved By A Novel Or Movie.