At All Times, Think Like A Writer,

A Lot Of Writers, Especially Crime Writers, Have An Image That We Think We're Trying To Keep Up With. You've Got To Be Seen As Dark And Slightly Dangerous. But I'm Not Like That And I've Realised That I Don't Need To Put That On. People Will Buy The Books Whether They See A Photo Of You Dressed In Black Or Not.

I Took The First James Kelman Novel, 'the Bus Conductor Hines', Home To My Dad. I Thought, 'my Dad Will Like This; It's Written In Scots.' But My Dad Said: 'i Can't Read That.' He Was Reading James Bond And John Le Carre. That Was Part Of What Attracted Me To Crime - The Idea Of Getting A Wide Audience.

The Most Difficult Part Of Any Crime Novel Is The Plotting. It All Begins Simply Enough, But Soon You're Dealing With A Multitude Of Linked Characters, Strands, Themes And Red Herrings - And You Need To Try To Control These Unruly Elements And Weave Them Into A Pattern.

[about A Tiresome Colleague]: He Could Bore For Scotland.

From This Height The Sleeping City Seems Like A Child's Construction, A Model Which Has Refused To Be Constrained By Imagination. The Volcanic Plug Might Be Black Plasticine, The Castle Balanced Solidly Atop It A Skewed Rendition Of Crenellated Building Bricks. The Orange Street Lamps Are Crumpled Toffee-wrappers Glued To Lollipop Sticks.