Awards Are Like Applause, And Every Actor

It [the Scene] Can Be Something Given To You And You Go, "ah This Is A Good Idea, I Can Work With This." Sometimes It Cuts Right Across Your Instinct And That's When I Might Resist. Even If The Director Might Be Insistent, I Think It's Very Important To Say, "look, I'm Not Feeling This. I'll Try To Make It Work But I Got To Let You Know."

When You Get Into The Edit You'll Understand What Making A Film Is. You'll See All The Things You Missed And All The Possibilities You Have From What You Shot.

Performance Is Made In The Editing Room, And I've Come To See The Truth In That - The Idea That They Say Performances Are Usually Made In The Editing Room Because What You Film Is The Raw Material. I Think Just Going Through The Process Of Saying, "which Take Do We Use? Why Is That The Take We Want? I Want That Take Can You Edit Again, I'm Not Sure That's The One, I Think It's This One." And Just Because You Go Through That Process, I Think Somehow It's Made Me Sort Of More Open About The [actor's] Possibilities.

It's Not Great If Someone Gives You Sort Of Bland Praise Without Giving You Clear Direction And Say, "this Is Good, Let's Try It Like This." I Have Worked With Someone Who Seemed Quite Inarticulate And Just Would Say, "that's Good, That's Good." That's Very Frustrating Because - It's Nice To Know Something Is Good But You Know It Can Always Change.

Education, Awareness And Prevention Are The Key, But Stigmatisation And Exclusion From Family Is What Makes People Suffer Most