Boy, Am I Glad There Wasn't A

You Had To Make A Camera Look Like It's Traveling At 300 Mph, But You Couldn't Make It Actually Travel At 300 Mph So You Had To Slow Everything Down And Build Devices To Do That. So You Were Constantly Engineering.

Human Beings Are Really Attuned To Their Senses. When You Work In Film, You Are Working With The Visual And Audio Senses. An Understanding Of Tactile And Other Components That Go Into The Creation Of Those Objects Are Important To Making Them Look Real On Screen, Like A Plasma Of Energy.

George Lucas Wanted This Moving Camera For All Of The Photography In Star Wars. He Was Willing To Take A Risk With The Concepts That I Advanced With Regard To Ways For Doing That.

In The First Spider-man, At The End Of The Movie, Peter Parker Had To Deny Himself A Relationship With A Girl That He's In Love With. The Very Next Thing That Happens Is That He's Swinging Through The City.

Because I Come From That Old-school Optics Environment, I Know Stuff About Depth Of Field And Camera Movement And Things That Are Not Necessarily A Part Of The Curriculum For People Who Started On A Box And Have Never Done Anything That Wasn't On A Box.