But Which Was The Real Me? Let

What I Love In A Woman Is Not What She Is In And For Herself, But The Side Of Herself She Turns Towards Me, What She Is For Me. I Love Her As Character In Our Common Love Story. What Wuld Hamlet Be Without The Castle At Elsinore, Without Ophelia, Without All The Concrete Situations He Goes Through, What Would He Be Without The Text Of His Part? What Would Be Left But An Empty, Dumb, Illusory Essence?

While People Are Fairly Young And The Musical Composition Of Their Lives Is Still In Its Opening Bars, They Can Go About Writing It Together And Sharing Motifs (the Way Tomas And Sabina Exchanged The Motif Of The Bowler Hat), But If They Meet When They Are Older, Like Franz And Sabina, Their Musical Compositions Are More Or Less Complete, And Every Motif, Every Object, Every Word Means Something Different To Each Of Them.

For A Novelist, A Given Historic Situation Is An Anthropologic Laboratory In Which He Explores His Basic Question: What Is Human Existence?

A Great Deal Has Been Said About Love At First Sight; I Am Perfectly Aware Of Love's Retrospective Tendency To Make A Legend Of Itself, Turn Its Beginnings Into Myth; So I Don't Want To Assert That It Was Love; But I Have No Doubt There Was A Kind Of Clairvoyance At Work: I Immediately Felt, Sensed, Grasped The Essence Of Lucie's Being Or, To Be More Precise, The Essence Of What She Was Later To Become For Me; Lucie Had Revealed Herself To Me The Way Religious Truth Reveals Itself.

Chance And Chance Alone Has A Message For Us. Everything That Occurs Out Of Necessity, Everything Expected, Repeated Day In And Day Out, Is Mute. Only Chance Can Speak To Us.