Censorship Is The Mother Of Metaphor.

When You Reach My Age, You Realize You Couldn't Have Done Things Very Much Better Or Much Worse Than You Did Them In The First Place.

A Book Is A Physical Object In A World Of Physical Objects. It Is A Set Of Dead Symbols. And Then The Right Reader Comes Along, And The Words—or Rather The Poetry Behind The Words, For The Words Themselves Are Mere Symbols—spring To Life, And We Have A Resurrection Of The Word.

When One Confesses To An Act, One Ceases To Be An Actor In It And Becomes Its Witness, Becomes A Man That Observes And Narrates It And No Longer The Man That Performed It.

I Think Of Myself Primarily As A Reader, Then Also A Writer, But That's More Or Less Irrelevant. I Think I'm A Good Reader, I'm A Good Reader In Many Languages, Especially In English, Since Poetry Came To Me Through The English Language, Initially Through My Father's Love Of Swinburn, Of Tennyson, And Also Of Keats, Shelley And So On - Not Through My Native Tongue, Not Through Spanish. It Came To Me As A Kind Of Spell. I Didn't Understand It, But I Felt It.

I Owe The Discovery Of Uqbar To The Conjunction Of A Mirror And An Encyclopedia.