Chris Elliott Could Read The Phonebook And

The Way Disney Characters Move, They're Very Kind Of Slow And Fluid And Flowing; One Pose Kind Of Eases Into The Next. If You Look At A Show Like 'the Simpsons' And Subsequently A Show Like 'family Guy' - The Characters Will Jerk From Pose To Pose A Lot, A Bit More Snappy. Which Sort Of Goes Along With The Writing Tone Of The Show.

I Had - I Was Pretty Hell Bent On Getting Into The Cartoon Business Specifically As An Artist From The Get-go.

The Good Thing About Broadway Is That You Don't Have To Worry About An Airdate. It Gets Done When It Gets Done.

I Tend To Lean More Towards The Westerns Of The 40s And 50s As Opposed To The 60s And 70s. They Get A Little Too Drab For Me When You Get Into The Spaghetti Western Era. I Love The John Ford Movies. I Love The Music. I Love The Scope.

There Were Two Things That Became Apparent, Pretty Quickly Into The Process. One Was That The Muscles Didn't Take As Much Reconditioning As I Thought They Would. It Was More Like Voice Acting Than I Thought It Would Be. You're Using Your Whole Body And There Are Things That Are Different, But When You Are Doing A Character, Even In The Booth, Nobody Is Watching But My Face Will Do Different Things When I Do Different Characters.