Consider Incompleteness As A Verb.

The Presocratic Problem [all Snap Flags] Parmenides Named His Gun The Hot Power Of The Stars. His Gun Was One, Uncreated, Imperishable, Timeless, Changeless, Perfect, Spherical. Spherical Was The Problem.

Eros Is An Issue Of Boundaries. He Exists Because Certain Boundaries Do. In The Interval Between Reach And Grasp, Between Glance And Counterglance, Between ‘i Love You’ And ‘i Love You Too,’ The Absent Presence Of Desire Comes Alive. But The Boundaries Of Time And Glance And I Love You Are Only Aftershocks Of The Main, Inevitable Boundary That Creates Eros: The Boundary Of Flesh And Self Between You And Me. And It Is Only, Suddenly, At The Moment When I Would Dissolve That Boundary, I Realize I Never Can.

Myths Are Stories About People Who Become Too Big For Their Lives Temporarily, So That They Crash Into Other Lives Or Brush Against Gods. In Crisis Their Souls Are Visible.

What Makes Life Life And Not A Simple Story? Jagged Bits Moving Never Still, All Along The Wall.

Pleasure And Pain At Once Register Upon The Lover, Inasmuch As The Desirability Of The Love Object Derives, In Part, From Its Lack. To Whom Is It Lacking? To The Lover. If We Follow The Trajectory Of Eros We Consistently Find It Tracing Out This Same Route: It Moves Out From The Lover Toward The Beloved, Then Ricochets Back To The Lover Himself And The Hole In Him, Unnoticed Before. Who Is The Subject Of Most Love Poems? Not The Beloved. It Is That Hole.