Damien Is A Friend. Their Boy-girl Lego

I Worry About What We'll Do In The Future, [about The Instantaneous Co-opting Of Pop Culture]. Where Is Our New Stuff Going To Come From?

The Future Is There... Looking Back At Us. Trying To Make Sense Of The Fiction We Will Have Become.

Our Hardware Is Likely To Turn Into Something Like Us A Lot Faster Than We Are Likely To Turn Into Something Like Our Hardware...i Very Much Doubt That Our Grandchildren Will Understand The Distinction Between That Which Is A Computer And That Which Isn't.

The Designers [of The 1930s] Were Populists, You See; They Were Trying To Give The Public What It Wanted. What The Public Wanted Was The Future.

I Watch A Sort Of Primitive Form Of The Recommodification Machine Around My Friends And Myself In Sixties, And It Took About Two Years For This Clumsy Mechanism To Get And Try To Sell Us The Monkees. In 1977, It Took About Eight Months For A Slightly Faster More Refined Mechanism To Put Punk In The Window Of Holt Renfrew. It's Gotten Faster Ever Since. The Scene In Seattle That Nirvana Came From: As Soon As It Had A Label, It Was On The Runways Of Paris.there's No Grace Period, So That's A Way In Which I See Us Losing The Interstitial.