Don't Wait To Have A Baby! Do

If You Push In Every Time There's A Big Moment, Then The Tenth Time You Push In, You're Not Going To Get The Same Effect. Or If You Have Too Many Close Ups, Then When You Have A Big Moment And You Want A Close-up In Order To Make A Point, It Doesn't Mean Anything Because You've Already Been Doing Close-ups. It's Like Writing In All Capitals. Then After A While That Doesn't Mean Anything. So, Just Because You Can Do Something With A Camera Doesn't Mean You Should.

I Think What's Interesting About The Whole Paparazzi Thing Is That Unless You're Brad Pitt Or Madonna, You Can Pretty Much Avoid It. You Know When You're Going To An Opening That You Will Be Photographed, So That's Fine. And You Know The Restaurants That Have Paparazzi, So You Don't Go To Them.

Sometimes People Don't Rehearse At All, But You Might Have Had A Chance To Rehearse For A Few Days, Or Even More Than That. Then In The Moment When The Camera's Running Is The Only Time It Matters. So Whatever You've Discussed Or Thought About Or Discussed With The Director, The Other Actors, Hopefully There's A Part Of The Experience That You've Left Open So That Only In That Moment The Camera Catches It. That's Of Course The Hardest Thing To Do Because Everything Is Planned And You Have Thought About It In Advance.

All Of Modern Acting Comes From Stanislavski, Who Was The Russian Partner To Chekhov. When Chekhov Was Writing His Plays, Stanislavski Was Running His Theater. And Stanislavski Really Was The First Inventor Of Modern Acting And Then Everything That Came Out Of The Method And Stella Adler And The Great Teachers Really Came Out Of Him.

Things Either Become Unclear In A Story Or They're Just Ambiguous With No Real Point. So Defined Gray Area With Clarity That Also Works In The Narrative, That's Tricky.