Drama Usually Has Some Sort Of Intense

If You Get A Certain Amount Of Notoriety For Doing Something, And You Can Stick To That Type Of Project For The Rest Of Your Life And Make A Decent Living, I Think You Still Have A Responsibility To Stretch. Flexibility Is What Keeps You Alive.

After Directing Awhile, You Get An Instinct About It, But You Have To Be Able To Trust Your Own Feelings. Invariably, Two-thirds Of The Way Through A Film, You Say, "jeezus, Is This A Pile Of Crap! What Did I Ever See In It In The First Place?" You Have To Shut Off Your Brain And Forge Ahead, Because By That Time You're Getting So Brainwashed. Once I Commit Myself To A Film I Commit Myself To That Ending, Whatever The Motivations And Conclusions Are.

There Are So Many Parallels In Society Today [with Era Of J. Edgar Hoover ] That You Can Use, Whether It's The Head Of A Studio Or The Head Of An Organization, A Major Newspaper, A Major Factory Or Company, Of People Who Stay Too Long, Maybe, And Overstay Their Usefulness.

We Were Dealing With Films That Had Very Prominent Roles For Women And I Felt I Was Actually Contributing Something. Many People Had Wondered Why I Would Want To Do A Film Where The Best Part Was A Woman's Part. But I Wasn't Afraid To Be The Lesser Intelligence In A Film.

I Never Expect Anything. I Am Always Amazed At Why Anybody Goes To Any Movie Or Why Anybody Doesn't Go To Any Movie. Any Movie You Make, You Make It Because You're Hoping Somebody Wants To See It, But You Never Know.