Each Brushstroke Is A Decision.

A Main Part Of The Struggle Of Art Has Been To Make An Art That Is Direct, Simple, Humane, Unconnected With Powers That Be In Their Essence... To The Degree That It Is Connected With The Bourgeoisie Via The Marketplace And So On Is Not Necessarily An Artist's Problem.

I Have Been Continuously Aware That In Painting, I Am Always Dealing With... A Relational Structure. Which In Turn Makes Permission 'to Be Abstract' No Problem At All.

For Me, The Sketchbooks Are More Like A Secret And Wholly Spontaneous Jeu D'esprit And Some Of Them I Like As Much As Anything I Have Ever Done. They Are Invariably Without Premeditation. I Mean Not Only That I Have No Plan When I Make Them, I Also Have No Plan To Make Them.

It's Possible To Paint A Monumental Picture That's Only 10 Inches Wide, If One Has A Sense Of Scale, Which Is Very Different From A Sense Of Size.

In A Way, Painting Is Like Wine: It Is As Old, As Simple, As Primitive And As Varied. Like Wine, It Is A Very Specific Means Of Expression, With A Limited Vocabulary, But Vast In Its Expressive Potential.