Early On I Was Very Involved With

As One Gets Older One Sees Many More Paths That Could Be Taken. Artists Sense Within Their Own Work That Kind Of Swelling Of Possibilities, Which May Seem A Freedom Or A Confusion.

I’m Interested In Things Which Suggest The World Rather Than Express The Personality... The Most Conventional Thing, The Most Ordinary - It Seems To Me That Those Things Can Be Dealt With Without Having To Judge Them; They Seem To Me To Exist As Clear Facts, Not Involving Aesthetic Hierarchy.

I Am Not Strong On Perfection.

It's Simple, You Just Take Something And Do Something To It, And Then Do Something Else To It. Keep Doing This, And Pretty Soon You've Got Something.

There May Or May Not Be An Idea, And The Meaning May Just Be That The Painting Exists.