Ever Since Two Daughters I've Been Composing

My Cameraman And I Devised A Method, Which We Started Using From My Second Film, Which Applies Mainly To Day Scenes Shot In The Studio, Where We Used Bounced Light Instead Of Direct Light. We Agreed With This Thing Of Four Or Five Shadows Following The Actors Is Dreadful.

I Wouldn't Mind Taking A Rest For Three Or Four Months, But I Have To Keep On Making Films For The Sake Of My Crew, Who Just Wait For The Next Film Because They're Not On A Fixed Salary.

Sometimes A Director Is Making Three Films. Perhaps He Is Shooting A Film In Madras And A Film In Bombay And He Can't Leave Madras As Some Shooting Has To Be Done, So He Directs By Telephone. The Shooting Takes Place. On Schedule.

Most Of The Top Actors And Actresses May Be Working In Ten Or Twelve Films At The Same Time, So They Will Give One Director Two Hours And Maybe Shoot In Bombay In The Morning And Madras In The Evening. It Happens.

Last, But Not Least -- In Fact, This Is Most Important -- You Need A Happy Ending. However, If You Can Create Tragic Situations And Jerk A Few Tears Before The Happy Ending, It Will Work Much Better.