Everyone I Know Who Used To Be

I Prefer Writing Originals.

What You Need To Know To Direct A Movie Is [of] Such Great Variety. I've Worked With People Who Were Maestros, Who Know Everything. I've Worked With People Who Were Empty And Lost, Who Had No Clue What They Were Doing. You Wouldn't Hire Them To Paint Your Apartment. And Then There's Everything In-between. There's No List Of Skills You Have To Have To Sit In That Chair.

Once A Film Costs A Certain Amount Of Money, Things Have To Round Off.

I Never Really Like It When Other Writers Talk About Coming In Behind People And Rewriting.

You Change Or You Hide Your Head In The Sand.