Everything We Are Is At Every Moment

The Play Is Really A Kind Of Nightmare. It Ought To Flow Rapidly And Effortlessly From One Moment To Another. In London, We Had Difficulty With The Set, Which Required Too Much Effort To Move Around. Having Gotten The Benefit Of Seeing It Done Once, I Wanted To Work On The Script, To Make It Sharper And More Pointed.

That Is A Very Good Question. I Don't Know The Answer. But Can You Tell Me The Name Of A Classical Greek Shoemaker?

Great Drama Is Great Questions Or It Is Nothing But Technique. I Could Not Imagine A Theater Worth My Time That Did Not Want To Change The World.

I Would Be Twenty Before I Learned How To Be Fifteen, Thirty Before I Knew What It Meant To Be Twenty, And Now At Seventy-two I Have To Stop Myself From Thinking Like A Man Of Fifty Who Has Plenty Of Time Ahead.

I'm The End Of The Line; Absurd And Appalling As It May Seem, Serious New York Theater Has Died In My Lifetime.