For A Long Time, I Let My

As Artists We Are Here To Make You Uncomfortable With The Complexity Of Your Reality.

I Think That If You're Writing About The Human Condition, My God, You've Got To Start At Base: Point Zero, Point One, Is The Body.

If You Were A Nerd Computer Geek In 1982, The Amount Of Isolation You Felt - At Least What I Experienced, Or The Kids I Knew, The Isolation They Felt - Was Almost Total. They Were Not Part Of Society; No One Thought They Were Cool.

I Think That Most Of Us Are Aware That As Writers We Are Seeking Absences, We're Seeking Silences, We're Seeking Spaces That People Haven't Entered. No Writer Is Saying, "hey, I Want To Go To This Very Well Trod Territory And Say Exactly What Someone Else Has Done." I Think The Nature Of A Writer, Because We Are Attempting To Bring To Light Areas That People Haven't Seen Before, Tends In Some Ways To Be Progressive, At Least In That Light.

I Think A Lot Of The Most Interesting Immigrant Writing Involves Stepping Outside Of That Old, Dreary Binary. Chang-rae Lee's Native Speaker Is A Great Example. Same Goes For Maxine Hong Kingston's The Woman Warrior.