For Example, In My Dorm, At The

[in The Late 80's] That's The First Time I Heard About That Astonishing Idea [that Most Photographs Would Be Taken On Telephones]. And Now I've Been Watching The Tsunami Of Images.

There Are Grander And More Sublime Landscapes - To Me. There Are More Compelling Cultures. But What Appeals To Me About Central Montana Is That The Combination Of Landscape And Lifestyle Is The Most Compelling I've Seen On This Earth. Small Mountain Ranges And Open Prairie, And Different Weather, Different Light, All Within A 360-degree View.

My Father Taught Me Photography. It Was His Hobby, And We Had A Small Darkroom In The Fruit Cellar Of Our Basement. It Was The Kind Of Makeshift Darkroom That Was Only Dark At Night.

My First Priority When Taking Pictures Is To Achieve Clarity. A Good Documentary Photograph Transmits The Information Of The Situation With The Utmost Fidelity; Achieving It Means Understanding The Nuances Of Lighting And Composition, And Also Remembering To Keep The Lenses Clean And The Cameras Steady.

For Spiritual Companions I Have Had The Many Artists Who Have Relied On Nature To Help Shape Their Imagination. And Their Most Elaborate Equipment Was A Deep Reverence For The World Through Which They Passed. Photographers Share Something With These Artists. We Seek Only To See And To Describe With Our Own Voices, And, Though We Are Seldom Heard As Soloists, We Cannot Photograph The World In Any Other Way.