For Me, The Most Difficult Piece Is

Zooming In, Zooming Out. I Was Shocked. I Said, "let's Erase This Right Now, Put The Camera Behind The Stage And I'll Do The Performance Just For The Camera." He Set Up Everything And I Told Him To Go Outside And Smoke A Cigarette. Come Back When I Finish. Don't Touch The Camera. This Was The Way How I've Done Most Everything After That.

You Know, Art Is Very Emotional Business. But Mostly It Becomes Not Emotional, The Fabric Of Commodity. It Becomes Business. It Becomes So Many Different Things. Because We Forgot There Was Emotions Involved.

That's Something That I'm Trying To Do In My Work, To Send A Message To Western People. They're The Ones Who Are Completely Disconnected.

It's Very Important That Young Artists Push Boundaries, Because Sometimes You Have This Urge To Do Something - Like The Impulsive And Dangerous Urges I Had As A Child - And If You Don't Follow Through With It You Might Miss Out On A Developmental Experience.

You Know The Movie "rashomon" From [takeshi] Kurosawa, When All The People In The Forest See Something Different? Each Performance Was Like That.