Garry Marshall Is A Joy. I Feel

When I Read To Children, I Try To Become The Characters. It's Great If You Can Make A Separate Voice For Each Character. Sometimes You Can Lower Your Voice With Excitement Or Get More Intimate About It: You Can Lean Forward And Engage The Children As A Narrator Or As A Reader. It's Particularly Important That You Find The Voice That You Want To Use For Each Character, Because Then Children Can Imagine That Person As You're Reading Aloud. And Of Course, The Illustrations Help Enormously.

You Know, Making An Animated Movie Is Such A Lonesome Thing. You Mostly Don't See Your Fellow Actors Or Anything. You Go Into Your Booth, You Record All Your Dialogue. It's Very Much An Issue Of Trust. You Leave It All Up To The Director.

I Certainly Wouldn't Compare The Rewards Of Watching One's Children Grow And Mature With That Of Money Piling Up At The Box Office. Both Are Pleasant, But To Varying Degrees. As The Old Saying Goes, You Can't Take An Audience Home With You. You Can't Depend On The Loyalty Of Fans, Who, After All Is Said And Done, Are Just Faceless People One Seldom Sees. And Few Stars Have Their Fans Forever. But A Child Is Forever. That Bond And Relationship Is Timeless And Doesn't Depend On Your Looks, Age Or Popularity At The Moment.

Amateurs Practice Until They Get It Right. Professionals Practice Until It Can't Go Wrong.

When I Start To Write, I See My Stories As A Kind Of Movie. For Instance, I Ask Myself, "what Kind Of Opening Do I Want For This Book?"