Good Writers Define Reality; Bad Ones Merely

Usually, The Way I Write Is To Sit Down At A Typewriter After That Year Or So Of What Passes For Thinking, And I Write A First Draft Quite Rapidly. Read It Over. Make A Few Pencil Corrections, Where I Think I've Got The Rhythms Wrong In The Speeches, For Example, And Then Retype The Whole Thing. And In The Retyping I Discover That Maybe One Or Two More Speeches Will Come In. One Or Two More Things Will Happen, But Not Much.

Maybe It's A Little More Pertinent Now Since The Whole Concept Of Evolution Is Being Questioned By The Know-nothing Republican Right. Yes, Maybe The Play's A Little More Pertinent Now.

Unless You Are Terribly, Terribly Careful, You Run The Danger-- Without Even Knowing It Is Happening To You-- Of Slipping Into The Fatal Error Of Reflecting The Public Taste Instead Of Creating It. Your Responsibility Is To The Public Consciousness, Not To The Public View Of Itself.

In A Democracy You Cannot Stop Public Access To That Art That Will Most Misinform The People. You Cannot Stop People From Being Misinformed. But What You Can Do Is To Educate The People To The Point That They Will Throw The Rascals Out.

I Think I Sit Down To The Typewriter When It's Time To Sit Down To The Typewriter. That Isn't To Suggest That When I Do Finally Sit Down At The Typewriter, And Write Out My Plays With A Speed That Seems To Horrify All My Detractors And Half Of My Well-wishers, That There's No Work Involved. It Is Hard Work, And One Is Doing All The Work Oneself.