Hardship Makes The World Obscure.

My Attitudes Aren't Directed Toward Characters At All. I Don't Feel Sympathetic Toward Some Characters, Unsympathetic Toward Others. I Don't Love Some Characters, Feel Contempt For Others. They Have Attitudes; I Don't.

Sitting For A Picture Is Morbid Business. A Portrait Doesn't Begin To Mean Anything Until The Subject Is Dead. This Is The Whole Point. We're Doing This To Create A Kind Of Sentimental Past For People In Decades To Come. It's Their Past, Their History We're Inventing Here. And It's Not How I Look Now That Matters. It's How I'll Look In Twenty-five Years As Clothing And Faces Change, As Photographs Change. The Deeper I Pass Into Death, The More Powerful My Picture Becomes. Isn't This Why Picture-taking Is So Ceremonial? It's Like A Wake. And I'm The Actor Made Up For The Laying-out.

A Writer Decides To Follow Some Ideas And Not Others For Reasons That Aren't Always Clear To Him. It's Often A Matter Of Intuition.

The Difference Between The World Of Pictures And The World Of Printed Matter Is Extraordinary And Hard To Define. A Picture Is Like The Masses: A Multitude Of Impressions. A Book On The Other Hand, With Its Linear Advance Of Words And Characters Seems To Be Connected To Individual Identity.

How Strange It Is. We Have These Deep Terrible Lingering Fears About Ourselves And The People We Love. Yet We Walk Around, Talk To People, Eat And Drink. We Manage To Function. The Feelings Are Deep And Real. Shouldn't They Paralyze Us? How Is It We Can Survive Them, At Least For A Little While? We Drive A Car, We Teach A Class. How Is It No One Sees How Deeply Afraid We Were, Last Night, This Morning? Is It Something We All Hide From Each Other, By Mutual Consent? Or Do We Share The Same Secret Without Knowing It? Wear The Same Disguise?