Herds Of Reindeer Move Across Miles And

Private Faces In Public Places Are Wiser And Nicer Than Public Faces In Private Places.

The Relation Of Faith Between Subject And Object Is Unique In Every Case. Hundreds May Believe, But Each Has To Believe By Himself.

Be Subtle, Various, Ornamental, Clever, And Do Not Listen To Those Critics Ever Whose Crude Provincial Gullets Crave In Books Plain Cooking Made Still Plainer By Plain Cooks.

It Is, For Example, Axiomatic That We Should All Think Of Ourselves As Being More Sensitive Than Other People Because, When We Are Insensitive In Our Dealings With Others, We Cannot Be Aware Of It At The Time: Conscious Insensitivity Is A Self-contradiction.

If Music In General Is An Imitation Of History, Opera In Particular Is An Imitation Of Human Willfulness; It Is Rooted In The Fact That We Not Only Have Feelings But Insist Upon Having Them At Whatever Cost To Ourselves. The Quality Common To All The Great Operatic Roles, E.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Br?nnhilde, Is That Each Of Them Is A Passionate And Willful State Of Being. In Real Life They Would All Be Bores, Even Don Giovanni.