His Snores Sounded Like Ducks Mating.

I Grew Up With Four T.v. Channels. If You Missed A Show, You Missed It. You Gotta Wait A Week For The Next One. I'd Mail-order Books: Take A Quarter, Get An Envelope, Send Off For It And Wait Until It Arrived. I Grew Up Waiting For Things.

I Try To Make The Readers Feel They've Lived The Events Of The Book. Just As You Grieve If A Friend Is Killed, You Should Grieve If A Fictional Character Is Killed. You Should Care. If Somebody Dies And You Just Go Get More Popcorn, It's A Superficial Experience Isn't It?

Courage And Folly Are Cousins, Or So I’ve Heard.

I Don't Like The Strictly Objective Viewpoint [in Which All Of The Characters' Actions Are Described In The Third Person, But We Never Hear What Any Of Them Are Thinking.] Which Is Much More Of A Cinematic Technique. Something Written In Third Person Objective Is What The Camera Sees. Because Unless You're Doing A Voiceover, Which Is Tremendously Clumsy, You Can't Hear The Ideas Of Characters. For That, We Depend On Subtle Clues That The Directors Put In And That The Actors Supply. I Can Actually Write, "'yes You Can Trust Me,' He Lied." [but It's Better To Get Inside The Characters' Heads.]

Some Allies Are More Dangerous Than Enemies.