Human Life Is The Result Of A

Evolution Is An Obstacle Course Not A Freeway; The Correct Analogue For Long-term Success Is A Distant Punt Receiver Evading Legions Of Would-be Tacklers In An Oddly Zigzagged Path Toward A Goal, Not A Horse Thundering Down The Flat.

Iconography Becomes Even More Revealing When Processes Or Concepts, Rather Than Objects, Must Be Depicted For The Constraint Of A Definite "thing" Cedes Directly To The Imagination. How Can We Draw "evolution" Or "social Organization," Not To Mention The More Mundane "digestion" Or "self-interest," Without Portraying More Of A Mental Structure Than A Physical Reality? If We Wish To Trace The History Of Ideas, Iconography Becomes A Candid Camera Trained Upon The Scholar's Mind.

Before Kuhn, Most Scientists Followed The Place-a-stone-in-the-bright-temple-of-knowledge Tradition, And Would Have Told You That They Hoped, Above All, To Lay Many Of The Bricks, Perhaps Even The Keystone, Of Truth's Temple. Now Most Scientists Of Vision Hope To Foment Revolution. We Are, Therefore, Awash In Revolutions, Most Self-proclaimed.

Humans Arose ... As A Fortuitous And Contingent Outcome Of Thousands Of Linked Events, Any One Of Which Could Have Occurred Differently And Sent History On An Alternative Pathway That Would Not Have Led To Consciousness.

Hyper-selectionism Has Been With Us For A Long Time In Various Guises; For It Represents The Late Nineteenth Century's Scientific Version Of The Myth Of Natural Harmony All Is For The Best In The Best Of All Possible Worlds (all Structures Well Designed For A Definite Purpose In This Case). It Is, Indeed, The Vision Of Foolish Dr. Pangloss, So Vividly Satirized By Voltaire In Candide The World Is Not Necessarily Good, But It Is The Best We Could Possibly Have.