I Am Producing Sounds That People Are

I Can't Play My Songs On The Smaller Harp. I Have A Celtic Harp. I Can't Do The Key Changes.

In High School, We Studied A Lot Of Poetical Forms. I Was Really Interested In The Math That Was Involved And The Strange Live Break Ups. That Gave Me A Great Amount Of Respect For A Rhymed Stanza.

I Don't Look At People's Expressions, Because I Still Get Nervous When I Play, Especially When I First Put The Harp Up There. I Just Try To Tune - It Takes Me A Half-hour To Tune, And I Get Nervous If I Look At Anybody When I Do It.

I Have A Lot Of Interest In Interior Rhyming; Not Just Rhyming At The End Of The Lines, But Playing Around With Rhymes Within The Lines, Playing With Where The Syllabic Emphases In The Sentences Are, Lining Those Up At Strange Moments In The Line Of The Song. I’m Not Sure If That Comes Across Or Not.

I Give Away Cds At Shows If Someone Wants A Cd But Doesn't Have Any Money. I Wouldn't Want To Do That Forever.