I Became A Director Just For The

Bruce Willis. Pain In My Ass, No Problem About That. We Just Didn't Get Along. We Got Along Off Camera, But Shooting We Just Didn't Get Along.

You'll See In The Movie He Constantly Does That-he Only Drinks His Tea A Certain Way, Brings His Own Tea Bags, The Guy Pours Hot Water, It's Like A Consistency Throughout The Film, But He Never Breaks His Habits. I Mean, To A Point, Where He Has To.

How Do You Capture The Drama Of A Rembrandt Painting In A Movie? How Do You Feel That Moment That They Captured In Two Hours? I Kind Of Fell Into It And At One Point, I Decided I Wanted To Live An Art Life; I Wanted To Tell Stories. I Came To New York, And Did What Most People Do - You Become A Pa And Run And Get Coffee And Pay Your Dues And Learn Until Your Opportunity Comes.

Not Harder Than It Should Be, No. We're About The Business, We're About The Work. It's All About The Work, Always. We Have Fun And Laugh And There're Days That Are More Intense Than Others, But We're There To Make It Better. He's Always Going To Try And Make It Better, I'm Always Going To Try And Make It Better. So You Accept Anything, You Accept Whatever It Takes To Get It Up On The Screen And Make It Worthy.

There Are Many Stories Of People Didn't Set Out To Make A Film That Became A Classic - The Whole Process Was A Disaster, Everybody Hated Each Other, The Movie Itself Was A Disaster, Everybody Thought The Movie And The Script Was Going To Be A Piece Of Crap. Look At Alfred Hitchcock And Psycho. Nobody Wanted To Make Psycho; It Was Crap To Them. The Only Person That Wanted To Make Psycho Was Hitchcock. Now, It's Considered A Classic And A Work Of Art.