I Can't Imagine Love Without A Sexual

After You've Learned Two Or Three Basic Rules Of Cinema Grammar, You Can Do What You Like - Including Breaking Those Rules.

When You Work On A Character, You Form In Your Mind An Image Of What He Ought To Look Like. Then You Go And Find One Who Resembles Him.

In Any Case, The Idea Of Giving "all" Of Reality Is Overly Simple And Absurd.

The Script Is A Starting Point, Not A Fixed Highway. I Must Look Through The Camera To See If What I've Written On The Page Is Right Or Not. In The Script, You Describe Imagined Scenes, But It's All Suspended In Mid-air. Often, An Actor Viewed Against A Wall Or A Landscape, Or Seen Through A Window, Is Much More Eloquent Than The Lines You've Given Him. So Then You Take Out The Lines. This Happens Often To Me And I End Up Saying What I Want With A Movement Or A Gesture.

The Script Is Simply A Series Of Notes For The Film.