I Closed My Eyes To Watch Tiny

I Usually Start With Something That Has Some Energy, Like A Compressed Character Or A Situation That's Wound Up Like A Spring. Then All I Have To Do Is Let It Go, Let Its Energy Carry The Story. And That May Not Turn Out To Be The Beginning Of The Book.

When You Started Thinking It Was Easy, You Were Forgetting What It Cost.

That Was The Thing About Words, They Were Clear And Specific-chair, Eye, Stone- But When You Talked About Feelings, Words Were Too Stiff, They Were This And Not That, They Couldn't Include All The Meanings. In Defining, They Always Left Something Out.

That Was What She Really Wanted. To Forget So Thoroughly She'd Never Have Another Memory Again, The Bitter So Bitter You Gave Up The Sweet.

This Involves More Than I Can Discuss Here, But Do It. Read The Writers Of Great Prose Dialogue-people Like Robert Stone And Joan Didion. Compression, Saying As Little As Possible, Making Everything Carry Much More Than Is Actually Said. Conflict. Dialogue As Part Of An Ongoing World, Not Just Voices In A Dark Room. Never Say The Obvious. Skip The Meet And Greet.