I'd Rather Hold One Note For An

In Art, You Can Crash Your Plane And Walk Away From It

One Of The Things You're Doing When You Make Art, Apart From Entertaining Yourself And Other People, Is Trying To See What Ways Of Working Feel Good, What Feels Right.

With Devices My Technique Is Always To Hide The Handbook In The Drawer Until I've Played With It For A While. The Handbook Always Tells You What It Does, And You Can Be Quite Sure That If It's A Complex Device It Can Do At Least Fifteen Other Things That Weren't Predicted In The Handbook, Or That They Didn't Consider Desirable. It's Normally Those Other Things That Interest Me.

I Occasionally Meet People And They Say, 'oh, I Was Born To Discreet Music'... They Always Have Very Weird Eyes, Those People.

A Studio Is An Absolute Labyrinth Of Possibilities - This Is Why Records Take So Long To Make Because There Are Millions Of Permutations Of Things You Can Do. The Most Useful Thing You Can Do Is To Get Rid Of Some Of Those Options Before You Start