I Despise Computers In Many Ways. I

I Think The Other Thing That's Important Is Getting To A Place, Which Very, Very Rarely Happens With Improvising Groups, Where Somebody Can Decide Not To Play For A While. You Watch Any Group Of Musicians Improvising Together And They Nearly All Play Nearly All The Time. In Fact I Often Say That The Biggest Difference Between Classical Music And Everything Else Is That Classical Musicians Sometimes Shut Up Because They're Told To, Because The Score Tells Them To. Whereas Any Music That's Sort Of Based On Folk Or Jazz, Everybody Plays All The Time.

If You've Spent A Long Time Developing A Skill And Techniques, And Now Some 14 Year-old Upstart Can Get Exactly The Same Result, You Might Feel A Bit Miffed I Suppose, But That Has Happened Forever.

I Belong To A Gospel Choir. They Know I Am An Atheist But They Are Very Tolerant.

There Are Certain Sounds That I've Found Work Well In Nearly Any Context. Their Function Is Not So Much Musical As Spatial: They Define The Edges Of The Territory Of The Music.

A Studio Is An Absolute Labyrinth Of Possibilities - This Is Why Records Take So Long To Make Because There Are Millions Of Permutations Of Things You Can Do. The Most Useful Thing You Can Do Is To Get Rid Of Some Of Those Options Before You Start