I Did What We Call Dry For

The Colors I Choose There Was To Paint The First Hotel, The Disneyland Hotel. Because Of The Cloudy Sky We Had In Paris, It Had To Be A Particular Kind Of Color Who Will Fight Those Grey Days. And Also Something You Can See When You're Driving Up 'there It Is! We're Arriving!'

What Happen To The Pirates We Are Supposed To See? Then We Go Down The Chutes, And It's Where The Pirates Were. But They're All Gone. There Is Nothing But Skeletons Down Here!

I Did What We Call Dry For Wet Effects, Some Of The Miniatures Work And Two Animation Sequences.

The Boundaries Of Design Are The Same As The Problem Of Perception.

I Helped Develop Disney's) Special Effects Department At That Time, Which Helped Very Much When We Worked On "20000 Leagues Under The Sea"