I Don't Like To Be Crazy On

I Worked For A Lot Of Directors.

The Writing Is Really Hard. You're Alone. It Really Pulls It Out Of You. You Pull It Out Of Your Head. But When You're A Director, You're Shopping - You're Picking This Actor, You're Picking This Scene. It's Like The Most Intense Kinetic High-speed Shopping Of All Time. You Sit In A Chair And It Will All Come Rushing At You Like A Wind Tunnel.

I Have Written A Bunch Of Scripts That Have Not Gotten Produced, Much More So Early In My Career Than Later.

A Reversal Is Just Anything That's A Surprise. It's A Way Of Keeping The Audience Interested.

What You Need To Know To Direct A Movie Is [of] Such Great Variety. I've Worked With People Who Were Maestros, Who Know Everything. I've Worked With People Who Were Empty And Lost, Who Had No Clue What They Were Doing. You Wouldn't Hire Them To Paint Your Apartment. And Then There's Everything In-between. There's No List Of Skills You Have To Have To Sit In That Chair.