I Don't Live In The Past At

Any Constraint Is Part Of The Skeleton That You Build The Composition On - Including Your Own Incompetence.

Frequently, I Go Straight Into The Studio And See What's Around. I Might Hire A Couple Of Instruments That I've Never Used - Maybe A Particular Type Of Electronic Organ Or An Echo Unit. Then I Just Dabble With Sounds Until Something Starts To Happen That Suggests A Texture. The Texture Suggests Some Kind Of Mood, And The Mood Suggests Some Kind Of Lyric. That's Like Working In Reverse, Often Quite The Other Way Around, From Sound To Song. Although Often They Stop Before They Get To The Song Stage.

The Idea That Something Is Uncool Because It’s Old Or Foreign Has Left The Collective Consciousness.

Admirers Can Be A Tremendous Force For Conservatism.

I've Noticed A Terrible Thing, Which Is I Will Agree To Anything If It's Far Enough In The Future.