I Don't Write Happy Songs. Who Does?

The Editing Of A Song Is Largely What Makes The Song For Me And I Think That Actually If I Had Started Going Like 'i Want You To Burn' It Would Have Pinned That Song Down To A Particular Thing And Made That Song A Smaller Idea Than What It Is. By Leaving That Off It's Much More Open, Broader.

As People Buy Less And Less Records, It's Become More And More Important For Me To Spend More And More On Them - To Lavish That Much More Attention On Them. The Bad Seeds Were Always Quite Protective And Old School, But Grinderman Has Opened Us Up To Do Anything And Be Shameless. We're Not So Precious About It.

You're Collaborating With People You Don't Even Know, When You're Making A Film. You're Collaborating With People You've Never Seen. So, The Collaborative Process Is Very, Very Different Than When You're Collaborating On A Record With The Musicians You've Worked With All Your Life.

I Have A Very Strange Relationship In General With Women Around My Music. There's Some That Understand It And Some That Think There Should Be A Law Against It.

Most People Wait For The Muse To Turn Up. That's Terribly Unreliable. I Have To Sit Down And Pursue The Muse By Attempting To Work.