I Figure I've Done What I Could

Maybe All One Can Do Is Hope To End Up With The Right Regrets.

A Play's An Interpretation. It Is Not A Report. And That Is The Beginning Of Its Poetry Because, In Order To Interpret, You Have To Distort Toward A Symbolic Construction Of What Happened, And As That Distortion Takes Place, You Begin To Leave Out And Overemphasize And Consequently Deliver Up Life As A Unity Rather Than As A Chaos, And Any Such Attempt, The More Intense It Is, The More Poetic It Becomes.

The Writer Must Be In It; He Can't Be To One Side Of It, Ever. He Has To Be Endangered By It. His Own Attitudes Have To Be Tested In It. The Best Work That Anybody Ever Writes Is The Work That Is On The Verge Of Embarrassing Himself, Always.

Today, [theatre's] More Likely To Be Consciously Not Aimed At The Public, But At A More Sophisticated Or Educated Public. . . . The Result Is That Some Of The Sheer Humanity Has Leaked Out Of The Enterprise.

Because It Is My Name! Because I Cannot Have Another In My Life! Because I Lie And Sign Myself To Lies! Because I Am Not Worth The Dust On The Feet Of Them That Hang! How May I Live Without My Name? I Have Given You My Soul; Leave Me My Name!