I Grew Up In A City, I'm

A Lot Of Film Directors Are Quite Scared Of Actors. They Are A Bit Of A Nightmare Sometimes, But I Like Them. It Looks Like Cunning, But You Try To Get Extra Things From Them All The Time, By Stealth, By Making Them Feel Confident, So They Trust You And You Can Push A Bit.

I Find My Own Pain And Others' Difficult To Tolerate, So I Always Want To Try To Shift Things So They'll Be Better. But In Doing That, If I Am Coming From A Place Of Ego, I Often Cause Harm. So It's A Struggle For Me To Set My Ego Outside And Find A Softer And More Compassionate Way Of Approaching Things.

Both Of My Sisters Have Been Teachers And They Used To Say You Get Asked Between 300 And 600 Questions Every Day Which You Have To Answer. That's Exactly What Directing Is. And The Vast Majority Of Those Questions Are Not Very Interesting Really, But They Need Somebody To Make A Decision - A Good One Or A Bad One - And They Follow It.

I Love That Sense Of Change That You'd Get In Pop Music Every Three Minutes, Every Four Minutes.

We're Trying To Learn From [olympic] Beijing, Which Could Be Very Intimidating. We've Learned To Expect It's Power, It Majesty And That It Completes A Cycle Of Certain Types Of Shows... I Don't Think Any Nation Could Do Anything On That Scale. We Haven't Got That Money, And I Don't Think Anybody Would Have The Appetite For That Kind Of Expenditure And That Kind Of Control, So We're Going To Try And Do Something A Bit More Intimate And Try And Start Again... Start A New Cycle For These Kind Of Ceremonies.