I Had Never Known Her Before And

Tea At College Was Served On Long Tables With An Urn At The End Of Each. Long Baguettes Of Bread, Three To A Table, Were Set Out With Meagre Portions Of Butter And Jam; The China Was Coarse To Withstand The Schoolboy-clutch And The Tea Strong. At The Hôtel De Paris I Was Astonished At The Fragility Of The Cups, The Silver Teapot, The Little Triangular Savoury Sandwiches, The éclairs Stuffed With Cream.

When I Began To Write Our Story Down, I Thought I Was Writing A Record Of Hate, But Somehow The Hate Has Got Mislaid And All I Know Is That In Spite Of Her Mistakes And Her Unreliability, She Was Better Than Most. It's Just As Well That One Of Us Should Believe In Her: She Never Did In Herself.

With A Novel, Which Takes Perhaps Years To Write, The Author Is Not The Same Man He Was At The End Of The Book As He Was At The Beginning. It Is Not Only That His Characters Have Developed-he Has Developed With Them, And This Nearly Always Gives A Sense Of Roughness To The Work: A Novel Can Seldom Have The Sense Of Perfection Which You Find In Chekhov's Story, The Lady With The Dog.

I Want Men To Admire Me, But That's A Trick You Learn At School--a Movement Of The Eyes, A Tone Of Voice, A Touch Of The Hand On The Shoulder Or The Head. If They Think You Admire Them, They Will Admire You Because Of Your Good Taste, And When They Admire You, You Have An Illusion For A Moment That There's Something To Admire.

I Wish Sometimes You Had A Few Bad Motives, You Might Understand A Little More About Human Beings.