I Hate That Word Dysfunction.

Certain Kinds Of Things That The Novel Used To Do, Which Was, "oh, I'm Living Out Here In West Nowhere, Nebraska And I'm Curious How The Upper Class In New York City Lives, I Guess I'll Read A Novel About It." We Don't Have To Do That Now. You Just Turn On The Tv. Turn On Lifestyles Of The Rich And Famous. You Can Get That Information Anywhere. Novels Don't Have To Do That Anymore.

If You Read The Biographies Of People Who Have Written Good Books, You Often See The Point Where They Suddenly Come Into Themselves, And Those Weeks In The Spring Of 1997 Were When I Came Into Myself As A Writer. They Feel Like Some Of The Best Weeks Of Writing I’ll Ever Have. The Discovery That I Could Write Better About Something As Trivial As An Ordinary Family Dinner Than I Could About The Exploding Prison Population Of The United States, And The Corporatization Of American Life, And All The Other Things I’d Been Trying To Do, Was A Real Revelation.

Once There Are Good Sentences On The Page, I Can Feel A Loyalty To Them And Start Following Their Logic, And Take Refuge From Myself.

Our Visual Cortexes Are Wired To Quickly Recognize Faces And Then Quickly Subtract Massive Amounts Of Detail From Them, Zeroing In On Their Essential Message: Is This Person Happy? Angry? Fearful? Individual Faces May Vary Greatly, But A Smirk On One Is A Lot Like A Smirk On Another. Smirks Are Conceptual, Not Pictorial. Our Brains Are Like Cartoonists - And Cartoonists Are Like Our Brains, Simplifying And Exaggerating, Subordinating Facial Detail To Abstract Comic Concepts.

What You Discovered About Yourself In Raising Children Wasn't Always Agreeable Or Attractive.