I Have Tried To Preserve In My

And So My Militant Philosophy Is This: To Make With A Brush On Canvas Is A Simple Direct Delight-to Make With The Movie Is The Same.

The Number Of Strokes To The Inch Controls The Pitch Of The Note: The More, The Higher The Pitch; The Fewer, The Lower The Pitch, The Size Of The Stroke Controls The Loudness... The Tone Quality Is The Most Difficult Element To Control, It Is Made By The Shape Of The Strokes.

Animation Is Manipulating The Difference.

I Have Tried To Preserve In My Relationship To The Film The Same Closeness And Intimacy That Exists Between A Painter And His Canvas.

The Good Moral Work Of Art Should Have All The Qualities That A Good Amoral Work Of Art Should Have, Such As Formal Unity, Balance, Contrast, And A Sensitivity To The Material Out Of Which It Is Made.