I Just Want To Keep Making Movies

I Never Studied Dance, But If You Look At 'wild At Heart,' My Mother Saw That Movie And Said, 'you Are A Dancer. Look At How You're Moving: All That Strange Energy Is Like Modern Dance.'

I Didn't Play The Ghost Rider In The First Movie. That Was A Stuntman. In This Film, The Ghost Rider Feels Much More Alive Because I Did Put Some Thought Into How He Should Walk And Into How He Should Move. I Was So Into The Character, In Fact, That I Would Paint My Face With White And Black Makeup To Look Like A Skull. And I Put On Blacked-out Contact Lenses, So I Almost Looked Like An Afro-new Orleanian Voodoo Icon By The Name Of Baron Samedi. Oh Man, I Would Walk Around The Set Without Saying A Word To Anybody, And I Could See The Fear In My Co-stars' And Co-directors' Eyes.

Most Of My Favourite Moments In Film Have Been When I've Had An Opportunity To Say Something From Scratch, Something Original, Whether I Jotted Down A Few Lines Or It Came Out In Improvisation.

I Love Art, I Love Music. I Can Listen To Stockhausen And A Very Experimental, Avant-garde Approach, And I Can Listen To Beethoven And Have A More Classical, Traditional Approach. Why Not Be Able To Do That With Film Performance?

I Always Wanted To Find A Way To Apply My Acting In A Big Mad Monster Movie Where I Was Transforming Into This Scary Entity.