I Like To Think I'm Un-categorisable.

Basically The Movies I Make Are My Life, So I Choose How I Want To Live My Life For The Next Two Years. So That's A Decision I Have To Make. At Some Point If I Feel There Are Enough Elements - It Doesn't Even Have To Have Great Characters Or Great Stories - It's Just Elements That Can Get My Excitement And Curiosity For One Or Two Years, Then I'll Jump In And I'll Find Out What That Is. Then I Have To Do [interviews Like This] And Rationalize Why I Do This.

When Something Possesses Me, I Go Ahead And Do It.

Even The Favorite Reviews, The Audience Response Is The Movie Is Too Slow, Deliberately Slow. But For The Chinese Audience, The Biggest Complaint Is It Happens Too Quick. I Think The Historical Background That Build Into Our Genes Is Different. American People Has Never Been Occupied. The Deep Sadness And Sentimentality, The Cultural Background That Relates To Melodrama That We Relate To And Grow Up With, The Propaganda, I Didn't Imagine The Difference Is So Big. It's A Very Interesting Cultural Phenomenon.

I Think A Lot Of People Do Big Movies Not Because They Are Talented Artists But Because They Can Function In The Circumstances.

I'm Just A Pretty Regular Dad.