I'm More Cautious About What I Write.

The Particular Qualities And Intentions Of Photographs Tend To Be Swallowed Up In The Generalized Pathos Of Time Past.

But When We Are Nostalgic, We Take Pictures

The Single Most Amazing Phenomenon Is The Discrediting Of Idealism.

Photography - The Supreme Form Of Travel, Of Tourism - Is The Principal Modern Means For Enlarging The World. As A Branch Of Art, Photography's Enterprise Of World Enlargement Tends To Specialize In The Subjects Felt To Be Challenging, Transgressive. A Photograph May Be Telling Us: This Too Exists. And That. And That. (and It Is All 'human.') But What Are We To Do With This Knowledge - If Indeed It Is Knowledge, About, Say, The Self, About Abnormality, About Ostracized Or Clandestine Worlds?

The Appetite For Thinking Must Be Regulated, As All Sensible People Know, For It May Stifle One's Life.